• 2008年二月22日 /  原音小评
    命定与偶然

    ——《Love Letter》原声赏析

    这几天心情不佳,没有做事情的动力,所以尽挑一些自己没有接触过的的东西来麻痹自己。说实话,对日本的那种小编制的配乐不怎么感兴趣,相比于欧美电影气势恢弘的配乐来说那种小家子气的配乐实在算不了什么。但是说实话这几天突然对小编制的配乐产生了兴趣,也是不知道原因的,突然听到这种东西就会感到特别地安静,最近因为偶然看见的一句话,找到了《情书》这部电影。情节的设计算不上精彩,但是也不单调,讲述了一个很凄美但又很简单的爱情故事,主人公是两位长得一模一样的女子和一位已经逝去了的其中一位的未婚夫,影片起名叫《情书》我想也有导演自己的想法,影片中没有出现过真正意义上的情书,只有那副在末尾出现的一幅女孩肖像……一次偶然的机遇让两个素未相识的人联系到了一起,但他们都命中注定不是能伴随男孩走完一生的人,也许这就是生活。

    音乐由导演岩井俊二御用乐团Remedios完成,影片似乎从头至尾都充斥着一种伤感的味道,因此音乐几乎都只用钢琴,弦乐还有电子合成器低回婉转的乐音来表现。影片从渡边博子躺在雪地里回忆两年前逝去的未婚夫开始,钢琴声随着影片的展开而逐渐浮现,没有运用很宽广的音域,伴随着女声低吟于合成器若隐若现的音色,将整个氛围烘托起来,随后渡边博子在雪地里越走越远,广角镜头伴随着后来出现的低音提琴一道将整个画面一道舒展开来,游曳在低音区的音调没有了华丽的钢琴与小提琴的衬托而略显孤单犹如画面中的渡边博子。 点击这里阅读全文»

  • 2008年二月21日 /  个人杂感
    今天很感谢你的陪伴,让我心情舒畅了很多…原本以为2点多的时候就要散了,当时很低落,所以希望那条路永远都走不完,不过真的谢谢你陪我在汽车站很开心的说了2个多小时的话…虽然最后口干舌燥….谢谢晚上邀请我一起玩游戏…..虽然我实在不会….但是真的很开心…
     
    我不知道是一种什么感觉,但就跟看完Once以后的感觉有点类似吧…很干净没什么太多杂质…..我从来不后悔我所做过的一切,我不担心你对我做出举动的看法,我心里的你是什么样就是什么样……我不必理会真正的你是什么样子……那怕你变得再怎么样,我都会努力慢慢适应……
    算了,还是不说了,突然发现走调了~我不知道会不会适应新的生活,我也正在努力吧,还是希望你能帮助我….不管怎么样 总有一个小小的地方是属于你的….
     
    也许真的星座占卜之类的破玩意都不怎么准确吧…..也许梦真的是和现实相反吧…也许…
     
    唉~小骗了你,我现在还没睡觉~12点过一刻了……现在就去睡觉……希望我睡的很好,你也一样……
     
    谢谢….
     
    08.02.21
    00:15
     

  • 2008年二月19日 /  个人杂感
    从挂电话的速度上看来,真的很快..
     
     
     

  • 2008年二月17日 /  原音翻译

    英文原文

    Born in 1951, Jim Howard’s youth was rooted in the study of classical music. With a grandmother who performed the violin with the Pittsburgh Symphony, Howard began lessons on the piano that would eventually culminate in a classical education at Santa Barbara’s Music Academy of the West (with Reginald Stewart and Leon Fleischer) and at the USC School of Music. Though always fond of orchestral strings, Howard was drawn into the world of pop rock during the 1960’s and 1970’s. After performing keyboards with the Southern California band "Mama Lion" in the early 70’s, Howard produced a few solo albums featuring the advancing technologies of Yamaha keyboards. It was during that time that Howard made a living as a session keyboard artist, often programming synthesizers for the likes of Diana Ross, Carly Simon, Ringo Starr, and others.

    Seeking a lucrative career with his talents, Howard expanded his name for publicity purposes to include the full James Newton Howard, partly because it sounded more distinguished and partly because there was already a James Howard in the industry (which causes problems when registering with a professional guild). In the mid-1970’s, Howard was contacted by Elton John, and he soon became John’s regular keyboardist. The collaboration included album performances through 1981, and eventually included a tour with John in 1986. While on tour, Howard began experimenting with other career avenues. He produced recordings for Cher and Valerie Carter, which led to similar deals with everyone from Barbara Streisand to Randy Newman. Howard had the opportunity to orchestrate and conduct Elton John’s live performance in Australia. He became acquinted with the popular rock band Toto, fresh off of their cult score for Dune, and Howard’s music is performed by Toto members to this day. His knack for superior string arrangements led to recordings for which he orchestrated and conducted the London Symphony Orchestra.

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  • 2008年二月14日 /  个人杂感

     

    又是一个2.14……20年来没有过过一次,显然比较期待……

    自己的博客很多天没有更新……是因为生病住院了两个星期……实在是很痛苦,自己也不愿意,不过过程有时候还是很幸福的。说了该说的话,心里的负担就不会太大了……希望她能够理解……看来有时候住院还是很有好处的……嘿嘿~

    今天极为不想出门……因为总会觉得鼻子很酸,但是妈妈非要出门去,不想跟她吵,心想还是算了……虽然不忍心看到一个人在大街上傻傻的,但是也豁出去了,因为一出门我就会憧憬……P.S.着实很变态…… 点击这里阅读全文»